Free Ebook My Father's Business: The Small-Town Values That Built Dollar General into a Billion-Dollar Company, by Cal Turner Rob Simbeck

Free Ebook My Father's Business: The Small-Town Values That Built Dollar General into a Billion-Dollar Company, by Cal Turner Rob Simbeck

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My Father's Business: The Small-Town Values That Built Dollar General into a Billion-Dollar Company, by Cal Turner Rob Simbeck

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Review

Mr. Turner writes with touching candor about the challenges of sustaining a family business.―Wall Street JournalAn inspiring story...if you are an ambitious businessman or entrepreneur, My Father's Business will show you the future direction....should be a required read for the teachers and students of business.―The Washington Book Review[This] well-written, honest book...is recommended for the general reader, business owners, entrepreneurs, job changers, and business-school students who want to understand the thinking that shaped the company's growth and fueled its problems.―BooklistMy Father's Business is the story of what it took to build Dollar General into a national retail chain from its rural, Kentucky roots and will encourage anyone with a dream of building a business.―Doug McMillon, president and CEO, WalmartMy Father's Business ought to be required reading in any business school . . . . a great book!―Peter Handal, President and CEO, Dale Carnegie TrainingA fascinating glimpse into the philosophy and logistics of the dollar-store business model...―Chapter16.orgA revealing and colorful book . . . Cal Jr.'s openness about the trials and tribulations both within the family and the company itself, as well as his personal reflection in retirement, is something we can all learn from and is sure to help us be more honest in our own self-assessments.―Senator Bob CorkerMy Father's Business is a MUST-READ for an aspiring young entrepreneur and an enjoyable read for anyone.―Dr. Thomas Frist, co-founder, Hospital Corporation of AmericaA fantastic book, for new entrepreneurs and CEOs alike, and it will inspire everyone who wants to integrate personal aspirations, family values, and best business practices.―Rev. Dr. Becca Stevens, founder and president of Thistle FarmsThe story of Dollar General is an example of what makes our country so great.―George Roberts, co-founder and co-chair, KKR

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About the Author

Cal Turner, Jr. grew up in a Scottsville, Kentucky, household where business and family were one. After graduating Vanderbilt University, he served for three years as an officer in the United States Navy before beginning his career at Dollar General. He served as CEO for 37 years, and during his tenure, the number of DG stores rose from 150, with sales of $40 million, to more than 6,000, with sales in excess of $6 billion. Turner has served on the boards of companies like Shoney's and First American, and of educational, civic and charitable organizations including Vanderbilt and Fisk universities, and has been president of the board of governors of the Nashville Area Chamber of Commerce. His many awards include the Presidential Award for Private Sector Initiatives (presented by Ronald Reagan) and the Vanderbilt Distinguished Alumnus Award. A committed lifelong Methodist, Turner was inducted in 2001 into the Fellows of the Society of John Wesley by the Tennessee Conference of the UMC.Rob Simbeck is a writer and editor of over 20 books. He was ghostwriter of Cal Turner's first book, co-written with Howard Olds, Led To Follow.

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Product details

Hardcover: 272 pages

Publisher: Center Street (May 22, 2018)

Language: English

ISBN-10: 1478992980

ISBN-13: 978-1478992981

Product Dimensions:

6.4 x 1 x 9.4 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

33 customer reviews

Amazon Best Sellers Rank:

#303,952 in Books (See Top 100 in Books)

In 2002, the law firm for which I worked was involved in the Dollar General debacle, helping clean up the mess after the company restated financial statements due to massive accounting fraud. I didn’t know much about Dollar General at the time. But I do remember that a firm partner told me that one of the company’s directors had succinctly described their business model to him. “We sell [crap], to poor people.” Cal Turner, Jr., has written this book to explain that business model and his part in it."My Father’s Business" has three threads. It is a history of Dollar General as a small, scrappy business. Then it is a history of Dollar General as big business. And intertwined throughout are elements of religious tract (the title is a play on words, the relevant “father” being both God and Cal Turner, Jr.’s own father, the original Cal Turner). Actually, despite the title, the religious elements are fairly light—Turner is a devout Methodist, a group not given to aggressive evangelization. But to his credit, he is not apologetic about the importance of his religious belief, something refreshing in today’s publishing environment. I’m a bit put off by some instances of how he applies his faith, but as Pope Francis says, who am I to judge?It’s the early history of Dollar General that interested me most, since my own post-law background is as entrepreneur. Most books about entrepreneurship are totally clueless, or a pack of lies. Charles Koch’s "Good Profit," for example, is an awful, worthless book. Peter Thiel’s "Zero to One," with its focus on monopoly and reek of private equity money, has nothing to do with the gutter struggles of real entrepreneurs, the type that made America. Turner experienced that gutter struggle firsthand—really, his grandfather and his father more than him, but the business was still quite small when he started working at Dollar General, in the early 1950s. While my experience is in manufacturing, and Turner’s in distribution and sales, many of the same challenges arise, and they are not challenges understood by anyone who has not run a business on a shoestring. Turner, or rather his father, did, and Turner does a good job of conveying what that’s like, with anecdotes both amusing and heartbreaking, such as his father spending every Saturday night for many years calling every store manager to figure out what cash he would get the following week, so he could decide which vendors’ bills to pay.In fact, cash flow is the single biggest concern for any real entrepreneur, and stores that keep inventory, like Dollar General, tend to face the most challenges. As a result, real entrepreneurs are always worried about bankruptcy, which can happen even if a business is profitable. Cal Turner, Sr., used to half-joke when he got a good buy on some goods that “If I have to declare bankruptcy, I won’t be embarrassed to tell the judge what I paid for this inventory I can’t get rid of.” Similarly, Turner mentions that his grandfather, Luther Turner, “bought a farm and put it in [his wife’s] name so that if the company went under, all of them could return to the land and start over.” For years I kept all my assets in my wife’s name for the same reason—so I could collapse our business and we would not be left destitute, but could begin again. To this day, my thoughts revolve around the need to prepare for that possibility. This sort of thing, necessary because of the enormous risks, is the norm among entrepreneurs. Nor do most people realize that entrepreneurs can’t borrow money like you read about in the news. If they can get a loan at all, entrepreneurs pay high interest rates where big companies pay zero interest rates, thanks to the government, and the entrepreneur also has to personally guarantee the loan, so he’ll be personally ruined if the company can’t pay.But most other people, working eight-hour days, simply don’t understand any of this, the risks and the amount of work and sacrifice required, at any level. Nor, of course, do politicians, like Elizabeth Warren with her infamous “you didn’t build that” screed. She, like probably 98% of the people in Congress, has never built anything, or taken any material risk, in her entire life. Reading this short book would be a good requirement for any politician before taking office. The simple fact is that a very small group of people are the producers of most of the economic value in a society; without them, that is, without their drive and organization, output would be vastly lower. That’s one thing Ayn Rand got right, and when you read Marxists claiming that workers can run their own factories, you know you are reading someone with no actual experience of business.Cash problems went away pretty early in his career for Cal Turner, however, since the company went public in 1963. From this point on the book was less interesting to me; it became a chronicle of ever larger acquisitions, along with discussion of family troubles, as Turner, by his account, just had to get rid of his father (right after his mother died), as well as his brother, and leave himself in charge. No choice in the matter, you see. Jesus told him to do it, in fact, when He said that every branch that doesn’t bear fruit should be pruned. Maybe so, but I’d be curious for some Rashomon­-type viewpoints. Turner also seems addicted to “management training” and “strategic planning” which I think is dubious in most cases, along with “individual value statements,” which are dubious in all cases. (I could never understand at business school why people who had never run a business were not only allowed to teach “strategy,” but were held in great respect.) On the other hand, Turner was by the 1970s running a very large company, quite far-flung, so perhaps external training was helpful to weld people together into common action.In many places, Turner describes a number of completely illegal practices under the securities laws that the company engaged in, including overt lying over decades. Yet he claims he was completely shocked when in 2002 it turned out that due to his complicity and negligence (not that he admits it), the company’s books were fraudulent and he was forced out—really, fired. Nor does Turner mention that in 2005 the SEC sued him and four other officers for accounting fraud, and he personally paid a fine of a million dollars. Instead, he complains “Everybody seemed to have a stake in making us look bad. The process was terribly injurious and punitive, and a lot of people were getting hurt.” He moans about how unfair it was that someone could accuse a “values-based leader” like himself of, gasp, “cooking the books.” (He also talks about his “time in the barrel at the SEC”; I don’t think he, or rather his ghostwriter, looked up the origin of that metaphor.) It’s tiresome and lacks any sense of humility.Turner could afford the fine. He’s a billionaire, not that he mentions that in the book either. (He does seem to leave out quite a few things in which the reader would be interested; I’m sure there’s more that I’m just not catching.) Nor does he mention the ancient Christian question of the salvation of the rich. This is a question that concerns me, though. Between Christ’s injunction to the rich young man to sell all that he had and give it to the poor, and the admonition about rich men, camels, and needle’s eyes, I should probably lie awake at night. On the other hand, my fallback position is that of Zacchaeus the publican. After all, he got direct approval from Jesus to only give away 50%, and he was an actual fraudster, so I figure 50% is a ceiling, not a floor. Between that and pointing to my wife and saying “I’m with her,” I hope to still gain admittance from Saint Peter. Wish me luck!Anyway, my guess is that the primary reason Turner wrote this book is that he, and the rest of his family, have been mostly erased from history by today’s Dollar General. If you go to the Wikipedia entry for the company, it’s all about boring details after Turner’s firing. He, his father, and grandfather, only get a few sentences. After 2002, the company was soon turned into an arm of private equity (then eventually went public again), and their PR firm doubtless scrubbed the entry. Wikipedia most definitely does not mention any part of the episode that got Turner fired.But despite Turner’s best efforts to put a shiny gloss on Dollar General’s business, it still has the slightly dirty feel of all businesses that fall somewhere along the line between catering to, and taking advantage of, the poor. Dollar stores are, after all, the same basic type of business as pawnbrokers and payday lenders. On the other hand, Dollar General today, and throughout its history, does seem to be remarkably free of leftist cant—you can’t find any on their current website, and Turner certainly offers none. That’s a rare treat today in the age of social justice warrior corporations. And aside from serving areas that often lack stores (although I am curious if the company, like WalMart, also pushes aside existing local business), the company has for decades offered the real service of upward mobility, since anyone competent can climb the corporate ladder. True, I don’t think Dollar General is especially Jesus-approved, as Cal Turner would have it, but it’s a decent business that provides value to the poor in consumer goods and jobs. That is a niche that has been very good to Cal Turner, and, also, for the most part, been a boon to many poor areas of America. On balance, Cal Turner should be proud of his life, and if you like this type of book, his story is worth reading.

I have a bookshelf full of half-read books, but this is not one of them. My Father’s Business reads more like a conversation with the author. Cal Turner will give you lots to think about, and you will likely find yourself reading it again some day.

Got this book on Wednesday June 20th and will have it finished tonight, June 22nd. The picture of Cal Sr. driving his mothers 1955 Pontiac sums up what took this mom and pop store to a whole new level. It was fun, raw selling and hustling, good old fashioned unsophisticated business. Mind you, business was a whole lot easier in the 50's and 60's, but you have to admire Dollar General for being a force all these years. Almost bought their stock, but I would never want to compete with Amazon or Walmart.

I found "My Father's Business" to be interesting and engrossing, as it shed light on the astonishing growth of Dollar General and its transformation from a seat-of-the-pants family business to a Fortune 500 public company. Along the way, family relationships needed to give way for the business to fulfill its mission. The missional, indeed religious, dimension of the book helps sets it apart, as does its ease of reading. I was impressed by how forthcoming Cal Turner, Jr. was in telling his story and that of Dollar General. I now know a good bit more about the DG store I drive past nearly every day.

This is a truly inspiring story of small town values and working hard to achieve the American Dream. Cal Turner tells this fascinating story through his own eyes and takes the reader on an exciting journey of how his family built the Dollar General brand into the monumentally successful company it is today by focusing on what really matters - serving the needs of others and providing everyday value to customers with honesty and integrity. If you are looking to be inspired professionally and personally, My Father's Business really hits the mark.

My Father's Business is a very helpful look at the personal and corporate growth that took place inside one of America's most successful retailers. Cal Turner's honesty is refreshing and inspiring.I was particularly inspired by the way Cal Turner's faith and sense of purpose guided his leadership at Dollar General.There is a lot of wisdom in here. I recommend for anyone who wants to see the intersection of faith and work.

As easy a read as you'll find. Cal Turner built a fortune 500 company by putting his customers first. From the decision to cut out advertising in order to reduce prices to refusing to sell cigarettes and beer because they weren't in the customer's best interest, it's hard not to impressed by many of the bold decisions that Turner took during his time at the helm of DG.

My Father's Business is a great story about a family that gave IT ALL to their amazing business for such a simple mission, "Serving Others". It is refreshing to have such a successful CEO open up and share personal stories that molded him, his family and the business that he led to huge success. The book starts and finishes with a genuine message from the author about how important his faith played a role in his life and how he hopes this book helps the reader find their own path to success in carrying out their "Father's business". Must read!

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My Father's Business: The Small-Town Values That Built Dollar General into a Billion-Dollar Company, by Cal Turner Rob Simbeck PDF

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Product details

Paperback: 56 pages

Publisher: CreateSpace Independent Publishing Platform (October 10, 2016)

Language: English

ISBN-10: 1539443558

ISBN-13: 978-1539443551

Product Dimensions:

6 x 0.1 x 9 inches

Shipping Weight: 3.5 ounces (View shipping rates and policies)

Average Customer Review:

1.0 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#1,613,692 in Books (See Top 100 in Books)

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You Were Born To Sparkle To Do List & More: To Do List, Notes Pages & Address Book All In One Place: Plan your day ahead & take notes at the same time ... for school, work, office, home & more, by Signature Planner Journals PDF
You Were Born To Sparkle To Do List & More: To Do List, Notes Pages & Address Book All In One Place: Plan your day ahead & take notes at the same time ... for school, work, office, home & more, by Signature Planner Journals EPub
You Were Born To Sparkle To Do List & More: To Do List, Notes Pages & Address Book All In One Place: Plan your day ahead & take notes at the same time ... for school, work, office, home & more, by Signature Planner Journals Doc
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You Were Born To Sparkle To Do List & More: To Do List, Notes Pages & Address Book All In One Place: Plan your day ahead & take notes at the same time ... for school, work, office, home & more, by Signature Planner Journals rtf
You Were Born To Sparkle To Do List & More: To Do List, Notes Pages & Address Book All In One Place: Plan your day ahead & take notes at the same time ... for school, work, office, home & more, by Signature Planner Journals Mobipocket
You Were Born To Sparkle To Do List & More: To Do List, Notes Pages & Address Book All In One Place: Plan your day ahead & take notes at the same time ... for school, work, office, home & more, by Signature Planner Journals Kindle

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You Were Born To Sparkle To Do List & More: To Do List, Notes Pages & Address Book All In One Place: Plan your day ahead & take notes at the same time ... for school, work, office, home & more, by Signature Planner Journals PDF

You Were Born To Sparkle To Do List & More: To Do List, Notes Pages & Address Book All In One Place: Plan your day ahead & take notes at the same time ... for school, work, office, home & more, by Signature Planner Journals PDF

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Product details

Series: Beautiful Adult Coloring Books

Paperback: 72 pages

Publisher: CreateSpace Independent Publishing Platform (December 20, 2016)

Language: English

ISBN-10: 1541207181

ISBN-13: 978-1541207189

Product Dimensions:

8.5 x 0.2 x 11 inches

Shipping Weight: 4.8 ounces (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#505,938 in Books (See Top 100 in Books)

Warning - For adults only! I am a big fan of Lilt Kids Coloring Books for a lot of reasons - high quality, variety, great illustrations, etc. But let's be very clear - this is NOT a kids coloring book - that just happens to be the name of the company. In this publication Lilt Kids Coloring Books has created a product for a very special market - adults who want something a bit racier and naughtier than your standard coloring book. If you are at all offended by off-color language, then I encourage you to pass this one by and check out one of their standard coloring books. However, if you are looking for a coloring book that will allow you to very colorfully and artfully express your frustrations and you aren't offended by swearing or foul language, then "No F*'s Given" may be just the coloring book you have been looking for. It's hard not to smile while coloring these beautiful images that carry off-color epithets, name calling, and insults. It would also make a great gift for your most foul mouthed friends.As with most of the Lilt Kids Coloring books has a couple of bonus things that I really like: There are 2 pages for "color testing" that have small boxes so you can check your marker color before you commit to coloring your image. It's nice to have that in the book instead of having to search for scrap paper every time. They also include bonus images from other coloring books in their series - plus mini images of the covers that can also be colored.While I received a complimentary copy of this book in exchange for an honest, unbiased review I am happy to say I would definitely buy it again for myself or as a gift for someone else.

Zero F*cks Given: Black Background Adult Coloring For the Rest of Us (Beautiful Adult Coloring Books) (Volume 54), by Lilt Kids Coloring Books PDF
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Zero F*cks Given: Black Background Adult Coloring For the Rest of Us (Beautiful Adult Coloring Books) (Volume 54), by Lilt Kids Coloring Books PDF

Zero F*cks Given: Black Background Adult Coloring For the Rest of Us (Beautiful Adult Coloring Books) (Volume 54), by Lilt Kids Coloring Books PDF

Zero F*cks Given: Black Background Adult Coloring For the Rest of Us (Beautiful Adult Coloring Books) (Volume 54), by Lilt Kids Coloring Books PDF

Zero F*cks Given: Black Background Adult Coloring For the Rest of Us (Beautiful Adult Coloring Books) (Volume 54), by Lilt Kids Coloring Books PDF

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Free Download Think Outside the Box Office: The Ultimate Guide to Film Distribution and Marketing for the Digital Era, by Jon Reiss

Free Download Think Outside the Box Office: The Ultimate Guide to Film Distribution and Marketing for the Digital Era, by Jon Reiss

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Think Outside the Box Office: The Ultimate Guide to Film Distribution and Marketing for the Digital Era, by Jon Reiss

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Review

It s no secret that indie film has gone through an amazing period of growth for any number of reasons, not least access to cheap but high quality cameras and computers/editing systems. The way we watch indie film has changed drastically too, from art house cinemas to DVDs that arrive in the mail or from a kiosk in a supermarket, on demand via your cable or satellite TV provider, or online via iTunes, Netflix, Amazon.com or, gasp, Bit Torrent. . . Now that the retail DVD market is dying we re finding new ways to bring our films to their intended niche audiences, and that s exactly what Jon s book is all about. What worked yesterday is failing today and won t work at all tomorrow. The only hesitation I have in recommending this book to every single independent filmmaker today is that armed with the information in this book, a filmmaker is potentially equipped to bypass distributors like Disinformation completely! But, in the spirit of information should be free, buy a copy today disinformation.com --disinformation.comFilmmaker-turned-author Jon Reiss has just released his new book, Think Outside the Box Office: The Ultimate Guide to Film Distributing and Marketing in the Digital Era, which aims to put the current independent film distribution crisis in better perspective. Having been through the wringer with his own documentary Bomb It, Reiss has done a lot of work to study the situation from many different angles and come up with ways for filmmakers to think creatively and proactively about getting their work seen. I was just in Cophenhagen at CPH:DOX, where Reiss presented his latest 10-point manifesto. You can buy Think Outside the Box Office right now at the book s official website, which includes many bonus gifts if you buy it there. I look forward to reading it myself, because my natural instincts are to run flailing from anything involving self-promotion, outreach, marketing, and distribution. But to shun those concepts these days isn t just silly. It s suicidal. The main revelation I had while listening to Reiss talk in Copenhagen is that these post-film duties, which have always felt like brutal chores to someone like myself, should in fact be considered part of the fun, as creative a task as writing the screenplay itself. It will be fascinating to look back on 2009 in five or so years to see what happens. For now, all we ve got is our instincts and Reiss book to help guide us along. ----Michael Tully Hammer to NailWritten in a light conversational tone and beautifully organized over 354 pages, Jon, a noted filmmaker (Bomb It, Better Living Through Circuitry) and CalArts teacher, passionate about connecting filmmakers to their audiences, arms filmmakers with the arsenal needed for a killer DIY direct to fan film marketing campaign. This book drills down to specifics that allows the reader to form an actionable strategy, and is destined to become required reading for all filmmakers. The book also includes steps to create better engagement on WordPress, Facebook, Twitter, MySpace and YouTube, and then in the next breath puts a call out to festival directors to see themselves as distributors, aggregators of quality indie content for traditional and new media. It seems so complete I m still reading on hoping he addresses ways not to trip up Oscar qualification with day and date online screenings. An incredibly valuable resource. --Content NOW

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From the Back Cover

The independent film community is a buzz with the collapse of the traditional independent film distribution model. No longer can filmmakers expect their films to be acquired and released nationally. But just as the digital revolution created a democratization of the means of production, a new hybrid model of distribution has created a way for independent filmmakers to take control of the means of distribution. This hybrid approach is not just DIY or Web based it combines the best techniques from each distribution arena, old and new. Jon Reiss spoke with countless filmmakers, distributors, publicists, web programmers, festival programmers and marketing experts to create this ultimate guide to film distribution and marketing for the digital era. Unlike any other book on the subject, Think Outside the Box Office is the first to address the new distribution and marketing landscape facing filmmakers today. Throughout the book, Reiss redefines the process from a filmmaker’s point of view empowering the reader to create unique strategies for their individual films. Filmmakers are hungry for information on how to distribute and market their films. No single resource exists that combines all of the knowledge and tools now available to them. Think Outside the Box Office fills that void. The book is a break through step-by-step nuts and bolts guide to distributing and marketing a film. Each chapter addresses an essential aspect of a film’s release and offers specific techniques so filmmakers can take control of their distribution and marketing destiny. Instead of buying multiple out of date books and searching the web for hints and tips – now all of this information is available in one place for the first time. Topics include: o Audience identification and targeting o Negotiating split rights agreements for your film. o A reclassification of film rights from a filmmaker’s perspective. o Your distribution and marketing team. o Integrating marketing into your production and post o Social networking – crowdsourcing and crowdfunding. o Budgeting for distribution and marketing. o Redefining the theatrical release. o Booking a conventional and unconventional theatrical release. o The new role of film festivals. o Conventional and web marketing. o How to sell DVDs with a distributor and on your own. o How to negotiate with digital distributors and aggregators. o How to DIY your digital rights. o Using transmedia for marketing and expanded creativity.

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Product details

Paperback: 354 pages

Publisher: Hybrid Cinema (December 8, 2009)

Language: English

ISBN-10: 098257620X

ISBN-13: 978-0982576205

Product Dimensions:

6 x 1 x 9 inches

Shipping Weight: 14.9 ounces

Average Customer Review:

4.3 out of 5 stars

42 customer reviews

Amazon Best Sellers Rank:

#470,405 in Books (See Top 100 in Books)

For experienced filmmakers, you may know Jon as the the creator of the concept and position of the Producer of Marketing & Development ("PMD") For those new to the concept of the PMD, Jon makes a strong (and sound) argument for a dedicated producer role for a professional to oversee the film's marketing and distribution. Within his book "Think Outside the Box Office: The Ultimate Guide to Film Distribution and Marketing for the Digital Era", not only defines and describes the role, he explains just what todays filmmaker (and PMD) need to do to successfully market and distribute their films in the digital VOD era. BTW: I also recommend reading and studying Guerrilla Film Marketing: The Ultimate Guide to the Branding, Marketing and Promotion of Independent Films & Filmmakers... another very helpful resource with dozens of helpful step-by-step instructions on how to create marketing and promotional campaigns and highly-effective posters, key art, teaser and trailers, IMDb listings, electronic press kits (EPKs) and many other marketing and promotional materials.

If you are an indie filmmaker or producer, don't get this book. It's so full of amazing information that I don't want you to have it, too. It contains everything you should know about film distribution RIGHT NOW. Everything. It's an easy and quick read, but very dense with valuable facts and statistics that will give you the advantage over the sea of other struggling filmmakers.Marketing has always been hand in hand with filmmaking, but this book proves that marketing is potentially more important than the film itself, if you want to see success. The best thing about the book is that it defines different kinds of success. Success doesn't just mean money. There are more significant measurements of success for the indie filmmaker depending on what level you are at and what your goals are.Okay, I've said enough. Please don't buy this book. It will unlock too many secrets of film distribution and put you ahead of the game.

Some of the advice is sound. However, as a filmmaker myself, I found a lot of the information outdated and some methods not current for our advanced technology.

Good reading. Sometimes practical, sometimes I don't really know if this applies for larger productions. In any case, it's good to understand how film and social media are feeding each other.

Like it or not, the film industry IS changing. Jon Reiss embraces that reality and gathers together the information, the resources, and the ideas that will allow filmmakers to formulate a suitable strategy to confront it. This book contains an almost encyclopedic wealth of pertinent information to anyone who is involved with indie filmmaking.Beyond arming me with a wealth of ideas and step-by-step guides, this book changed my mindset of distribution. It is a reality check and a call to arms - you cannot count on anyone to swoop in and distribute your film for you. You need to take the bull by the horns and start the process yourself. Capitalize on the ravenous fans at film festivals and in your online social networks.Everyone at Sundance 2010 was talking about this book, and there's a good reason. If you care about the future of your film, buy this book.

No matter how many movies you've made or how big or small your project is, this is a must read for every moviemaker around the globe. If you're not even writing your film and you just have the concept for it, don't make the mistake we all do and start thinking about distribution after you shoot. Jon Reiss has teach us all that distribution is not "the thing you do when your're done", on the contrary, it's such an important activity as editing or any other stage on the film creating process. And don't be scare, this book shows us that distributing your film is (and must be) a creative process on it's own. If you want to reach what a film is supposed to reach: an audience, no matter how big or small, this is definitly the book you need.

As someone who works as film distribution and audience engagement consultant, I highly recommend Jon's book: the most complete, clear and helpful guide to DIY and hybrid distribution I've ever read.Making a film without a distribution and promotional plan nowadays is plainly naive. Thanks to Jon's book,however, even first time filmmakers can rely on a solid guidance to help them decide what moves to make when they embark into and during the filmmaking process.A truly revolutionary tool in its DIY approach and in its revelation of some of the best kept secrets of film distribution.

This is a great book. Extremely valuable for filmmakers. I'd love to see some parts of the book updated, specifically the VOD sections, but this is about as nuts and bolts as you can get.

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PDF Download Snow White: A Graphic Novel, by Matt Phelan

PDF Download Snow White: A Graphic Novel, by Matt Phelan

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Snow White: A Graphic Novel, by Matt Phelan

PDF Download Snow White: A Graphic Novel, by Matt Phelan

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Review

Matt Phelan sets his graphic retelling of “Snow White” in 1920s New York, with both its Ziegfeld Follies glamour and its impoverished Dead End Kids.—The New York Times Book ReviewThe visuals are deeply effective: entire sections are wordless, propelling the reader through dramatic scenes and inviting reflection during quiet, contemplative spots...Pencil, ink, and watercolor illustrations break out of loose panel structuring; sharp lines and shadow heighten tension and expanses of open white space sometimes draw the eye to a specific scene. This graphic novel will find a welcome home with fairy-tale fans who have outgrown the Disney version (or, less likely, the Grimm version) but still find the tale compelling.—Bulletin of the Center for Children's Books (starred review)Phelan (Bluffton) delivers a spectacular 20th-century update of “Snow White,” transplanting the story to Jazz Age and Depression-era New York City, where themes of jealousy, beauty, and power find a comfortable home...Moody gray and sepia panels carry the story forward, punctuated by splashes of lurid red—for an animal heart, procured at a butcher’s shop, or an apple tainted with a syringe. Snow’s affectionate relationship with “the Seven,” a group of street children, is among this adaptation’s most potent elements. The boys are hesitant to tell Snow their names, but readers will want tissues on hand when they finally do.—Publishers Weekly (starred review)Spanning the Roaring Twenties and the Great Depression, Phelan’s noir-esque adaption of the classic fairy tale is atmospheric, clever, and touching...Especially resonant are the relationships that the heroine builds with her young protectors. The last few colorful pages will tug at heartstrings as Snow, the Seven, and an intrepid Detective Prince get their happy endings. A stunning, genre-bending graphic novel for all middle grade and middle school collections.—School Library Journal (starred review)Phelan masterfully shifts a tale heavily reliant on magic and fantasy into a realistic and historical setting without compromising plausibility. Creating sweeping and dreamy watercolors that play with emotion and color, Phelan is an exquisite visual storyteller, and he lets expressive, wordless sequences carry a large portion of his interpretation. With a keen historical slant, a bit of action and intrigue, high visual interest, and the fairy-tale leaning, this will awe a wide readership. Brilliant.—Kirkus Reviews (starred review)Pencil, ink, and watercolor images (in mostly sepia tones, with occasional spots of color: red for the poisoned apple, for example) move readers’ eyes across each page, providing an appropriately cinematic noir sensibility. This cinematic effect is further enhanced by the feel of constant movement, the varied panel sizes, and a judicious use of text. Some scenes are wordless; for others, Phelan uses varied fonts to enhance the drama. By the final wordless all- color sequence (spoiler: there is a happy ending), it is clear that this is an original and darkly beautiful take on the classic tale.—Horn BookIn a series of silent-movie-like vignettes, Phelan puts a Jazz Age spin on the classic tale of Snow White...Readers hungry for graphic adaptations of fairy tales will find their appetites slaked here.—BooklistI don’t think I’ve ever actually enjoyed the story of Snow White until now. Hand this book to graphic novel fans, fairytale fans, and any kid who’s keen on good triumphing over evil.—A Fuse #8 Production (blog)Fans of Snow White will enjoy this new take on the beloved tale—a graphic novel set in Depression-era New York...All of the illustrations are full of emotion, propelling the story forward quickly with minimal dialogue.—School Library ConnectionHow Phelan manages to tell this nail-biter of a story with so few words in comic-strip panels is a testimony to his great talent, and his murky pencil, ink and watercolor artwork elegantly captures the ominous mood. Dark, gorgeous and ultimately heartening.—Shelf Awareness for ReadersPhelan’s wonderfully expressive and realistic faces do most of the storytelling, and readers will linger on the dynamic structure of each page, as the artist’s characteristic soft edges contrast with interesting page layouts...Fans of Brian Selznik’s books will enjoy this one.—VOYAWith atmospheric, largely monochrome watercolors, Mr. Phelan reworks the old story with chilly elegance but also tenderness of heart:—The Wall Street JournalFilm noir and fairy tales each offer their own unique escapes into worlds that dramatize our fears and fantasies. In Snow White: A Graphic Novel, Phelan draws from the best parts of each form to create both a hardcover hideout and an artful homage to be read and revisited panel by panel, frame by frame.—Boing BoingNowhere is Phelan's combination of drawing prowess and storytelling ability more on display than in his 2016 graphic novel Snow White, which is sparing in its use of text, conveying most of the story solely through its artwork.—Drawing magazineFeatured/recommended in Holiday Gift Guide—Publishers Weekly

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About the Author

Matt Phelan is the author-illustrator of three previous graphic novels: the Scott O’Dell Award–winning The Storm in the Barn, Around the World, and Bluffton, which was nominated for three Will Eisner Comic Industry Awards, including Best Graphic Album. He is the author-illustrator of Druthers and the illustrator of many books for young readers, including Marilyn’s Monster by Michelle Knudsen and The Higher Power of Lucky by Susan Patron, winner of the Newbery Medal. Matt Phelan lives in Pennsylvania.

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Product details

Age Range: 10 - 14 years

Grade Level: 5 - 9

Paperback: 216 pages

Publisher: Candlewick (July 10, 2018)

Language: English

ISBN-10: 1536200557

ISBN-13: 978-1536200553

Product Dimensions:

6.2 x 0.6 x 7.8 inches

Shipping Weight: 13 ounces (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

33 customer reviews

Amazon Best Sellers Rank:

#222,611 in Books (See Top 100 in Books)

My name is Snow White, but my mother didn’t call me that to be funny.She would say that the snow covers everything and makes the entire world beautiful.###* tick * tick * tick * KILL###I love a good fairy tale retelling, and this one is truly unique. Set in 1920s New York City, Matt Phelan’s SNOW WHITE is a gritty comic book adaptation with a decidedly noir spin.Samantha White is just a child when her mother dies; the two are traipsing through a city landscape blanketed with snow when Mom doubles over coughing. On her kerchief are specks of blood. The year is 1918, and little Snow White is about to lose her mother to the “Spanish Flu.”Fast-forward ten years. The widower Mr. White, a wealthy stockbroker, is instantly smitten with the newest It Girl, the star of Broadway, the Queen of Follies. They wed, Snow White is shipped off to boarding school, and the family somehow – magically – survives the stock market crash of 1929, which leaves so many of their peers destitute. Everything is okay-ish; that is, until our wicked stepmother receives ominous messages from her husband’s stock market ticker. Before long, Samantha’s father is dead and she’s on the run.From the glamour of Broadway to the shanties of Hooverville, Phelan makes excellent use of the setting. Much of the artwork is rendered in shades of black, white, and tan, accentuating the story’s gritty atmosphere and noir influence. Little pops of color, particularly red – the bright, spotty blood on Mom’s handkerchief; the blush on Snow’s cheeks; the drugged apple she accepts from an elderly sidewalk vendor – call attention to important panels and props. The artwork has a rough quality, much like the streets Snow wanders when she is cast out of her childhood home.Like the artwork, the dialogue is rather minimalist; yet if you are familiar with the story (and what American isn’t?), you should have no trouble following along. All of the various components – setting, plot, atmosphere, illustrations, and dialogue – work in harmony to deliver a Snow White that’s darker and more firmly rooted in reality than the original. The huntsman is a hired gun; the seven “dwarfs,” a group of homeless street kids. Yet there’s a touch of magical realism in the form of the Queen, linking this tale to its predecessors.I also love the cover, which isn’t sad and naked, but rather designed to match both the front and back of the dust jacket.Read it if: you fancy fairy tell retellings; you like the noir aesthetic; you’re a comic book fan, and want to try something a little different.** Full disclosure: I received a free copy of this book for review from the publisher, Candlewick. **

I was very excited for this novel. The setting was unique. But the art style let me down a bit. I was expecting something more inked that watercolored or ink washed. It was a little unsatisfying because the art style didn't match up very well with the cover, but I'm keeping it because I enjoy the uniqueness of the setting.

Re-write of Snow White in 1920s New York City setting. Interesting in that many parts of it are wordless. There is dialog, but it's surprising how little. Award-winning graphic novel being on the Notable Books of the English Language Arts 2017 and the Notable Social Studies Traade Books 2017.

This was a very different take on Snow White, and I thoroughly enjoyed it! The art style was amazing, and I read the whole book in a single sitting!

I really love this book. As a teacher it is great for the kids to see stories like this.

I am always on the lookout for a great graphic novel to add to my classroom library. SNOW WHITE, by Matt Phelan, will be a great addition. I love the fact that this fairy tale of a story is set in the depression era. It reminds me of the greed that drives our society and motivates people to do the unthinkable. Yet, good will always prevail. We can find the kind, true-hearted people everywhere, if we look hard enough. I cannot wait to share this story with my daughters and my class of fifth-graders.

I fell in love with this book, and may the gods of Caldecott honor it in January 2017!

Nice

Do you keep track of the different publishers and imprints of the books you read? I didn’t for the longest time, even when I started blogging – I thought that the good books would rise to the top, and I’d find them no matter what. Well, my feelings have changed a bit – I have imprints or publishers that I *know* will put out good books, or that I can trust for a certain kind of experience (arty, dreamy, plot-driven, and so on). When I figure this out, I end up paying a bit more attention to their catalogs, their tweets, and I’m more likely to put their books on hold at my library. I know from experience that Candlewick publishes thoughtful, beautiful books, so that’s how Matt Phelan’s graphic novel Snow White ended up on my to-read list. Well, that and I’ll read almost any fairy tale retelling under the sun. ¯\_(ツ)_/¯As you might expect from a book called Snow White, this graphic novel is a fairly faithful retelling of the popular fairy tale. The back story will be familiar: widowed father raises his daughter alone, then remarries – to a beautiful woman – who becomes increasingly jealous of the daughter. A “huntsman” is dispatched to kill the girl, but has a change of heart (punnnnnnnnnn). The daughter (Snow/Samantha), alone now, falls in with a group of seven little men (orphan boys), etc., etc. It’s all recognizable, and the ending is assured. So, why read this book?The art, of course! Matt Phelan’s past work is award-winning, and he is no less talented in this volume. The mix of watercolor and pencil/ink line work is subtle, dark, and atmospheric. It fits this 1930s, noir-ish iteration of the fairy tale very well. While there aren’t any true plot surprises, the enjoyment is in the subtle changes, differences, and the play of dark and light through the lens of Depression-era New York City. I also LOVED the Art Deco typset used on the front cover – actually the simplicity and design of the front cover may be my favorite thing about the book.From the story, I liked that there’s a hint of uncertainty about whether it’s actually magic that the stepmother uses, or solely allure. I also thought the use of the ticker tape instead of the mirror on the wall was a clever substitution. The evil queen reimagined as the star of the Ziegfeld Follies fit the time period, but the Follies and their context might not be familiar to readers in the intended age group. In some cases, that’s fine, because it will prompt research, but in this case it’s doubtful (tweaks to a familiar plot may trump interest in context).Things I didn’t like: this story is very light on dialogue. Since this story will be familiar to many readers already, not a fatal flaw, but in parts it simply feels quiet, rather than menacing (which I’m going to hazard a guess is the intent of some of the panels, but certainly not all).The second (and more substantial) criticism I had was from the point in the story where Snow White referred to opulent Christmas-time department store window displays as a demonstration of ‘the magic of the city.’ The beautiful ‘magic’ of the displays in itself was not a problem – in fact, that window dressing is famous (and now traditional) and rightfully so. My issue was Snow’s audience: homeless boys who must huddle around a trash can fire for warmth, and to whom she was not offering (or able to offer) and real change in their circumstance. This juxtaposition lacked nuance and verged on needlessly cruel. Snow entreated them to find magic and beauty in something they could not have and would not have (at that point of the story), while they were struggling for survival. Some readers may not notice this scene, or dismiss it given later developments in the story, but to me it struck a tone of privilege.In the end, Snow White is a beautifully illustrated, if not innovative, take on the popular fairy tale.Recommended for: die-hard fans of fairy tales, and those with an eye to beautiful graphic novel design and illustration.

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Free PDF Guinness World Records 2013, by Guinness World Records

Free PDF Guinness World Records 2013, by Guinness World Records

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Guinness World Records 2013, by Guinness World Records

Free PDF Guinness World Records 2013, by Guinness World Records

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Product details

Series: Guinness World Records

Hardcover: 288 pages

Publisher: Guinness World Records; 2013 edition (September 11, 2012)

Language: English

ISBN-10: 1904994873

ISBN-13: 978-1904994879

Product Dimensions:

9 x 1 x 12 inches

Shipping Weight: 2.8 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

278 customer reviews

Amazon Best Sellers Rank:

#433,937 in Books (See Top 100 in Books)

Perhaps it is silly to review last years edition to this wonderful line of books, but I felt it was necessary. I used to love the Guiness World Records book when I was a kid, and looked forward to getting one every Christmas. I purchased this as a sort of gag-gift for my girlfriend, but I was also somewhat excited to re-light that fire from my childhood. Unfortunately, that did not happen, as this was the sorest of sore disappointments that I've experienced recently. The book is rather underwhelming, the graphics are uninteresting, and the records are really not impressive. The only one that I remember (simply for the sheer stupidity) is "most baked beans eaten in 120 seconds with a toothpick". We had a good laugh at that, but opted not to take it with us during the move, I wouldn't want the movers to waste precious time and back strength carrying this disappointment.

My kids have enjoyed this series of books, so when I saw this latest edition available as a Kindle Daily Deal, I thought it would make a great little gift. Unfortunately, it was obviously not tested adequately by the publisher before making it available in Kindle format. My kids have 7" Kindle Fire HDs, and the book is not readable. The text is tiny and jumbled with the graphics, which clearly are not sized for proper display on 7" Kindle Fire HDs (and perhaps not on other Kindles either). If you're thinking of getting this for non-Kindle devices, think again. I have a variety of devices with the Kindle app installed, and none of those were listed as options as the target device when I made the purchase.Note that my rating does not address the content of this book, just the format. If you really want this book - and again, my kids have enjoyed the previous editions - then wait for the Kindle version to be fixed or buy a physical copy.

the book itself is fine. however the binding was broken when it arrived. the used review said '' used-good''. I expected once and a while a note or two. instead the binding was completely broken and the pages sticking out of the book. that is not what I call ''good condition''. I would call that bad condition. because I was expecting and good copy for a used book. instead I found a big peace of junk. I would make the review used BAD condition. so ''good condition'' to the review is BAD condition to everyone else in this world. I WAS NOT IMPRESSED AT ALL!!!!!

This book is really really cool and comes alive. There is an iPhone/ipad app that works in conjunction with the book. You aim the camera at the book page and you receive a moving visual of what you are looking at. My kids love it.

My 10 year old likes the book but I was really hoping it would be more like the ones I used to read on the 70's/80's where there were endless pages (ok, maybe hundreds) of records. This is more flash than content, but to someone like my son who is not familiar with how things used to be, it's ok.

My kids wanted it in order to read about what type of records there are around the world.Eventhough there is too much information, it is well-sorted throughout the book. As with any record keeping book, it has records that you don't care, but it has a lot of records that you will like them very much due to their curiosity and how it was achieved...I don't regret buying it...

My evaluation is the same. My family members, for some inexplicable reason, for years have enjoyed and sought out almanacs, record books, etc. So, naturally, at Christmas and birthday, I try to get them as gifts. By last year, I became a convert to Amazon and avoided the stifling crowds, the "Sorry, we're out of it" for late shoppers like me and the looking for a parking place. I have turned to Amazon for success.

Obviously, unlike the hardcover or paperback, one does not flit through pages aimlessly, but rather has some idea as to what you want to see, although one can randomly jump around. The amount of information available is vast, and one must be disciplined in searching for items required.The beauty is that the information is available for ever even if outdated. It is one of those keep for ever books.

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Guinness World Records 2013, by Guinness World Records PDF

Guinness World Records 2013, by Guinness World Records PDF

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Ebook Download If You Are a Juggler...

Ebook Download If You Are a Juggler...

What kind of reading publication are you searching for now? If you are actually fond of the topic similar to If You Are A Juggler..., you can take it directly below. This publication is in fact an usual book. However, exactly how the author get the words to create this book is so unbelievable. You could not locate anything unique from the cover and also the title of guide, however you could obtain everything special from guide after read.

If You Are a Juggler...

Ebook Download If You Are a Juggler...

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About the Author

One of the most important names in the history of juggling is Alexander Kiss. Alexander Kiss (1921-1990) was a juggler and Russian circus icon, who started performing in the circus at the age of 4. He always never dropped in performance and created many new and complicated juggling tricks. In 1969 Alexander won the Rastelli Prize given in Bergamo, Italy to the top juggler in the world.

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Product details

Paperback: 134 pages

Publisher: CreateSpace Independent Publishing Platform; 1 edition (February 14, 2018)

Language: English

ISBN-10: 1979653402

ISBN-13: 978-1979653404

Product Dimensions:

5 x 0.3 x 8 inches

Shipping Weight: 5.8 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#842,310 in Books (See Top 100 in Books)

I found this book about Alexander Kiss to be very inspiring, and it helped me get a peak inside the mind of one of the world's greatest jugglers. With information about his life story and practice techniques, plus plenty of photographs, I definitely think anyone interested in circus, juggling or art will get value from this book.

Just read the nifty new edition of "If You Are A Juggler" by Alexander Kiss, published with English translation by Niels Duinker. It's a great look into the mind of a classic Russian super-juggler including memories of acts he has seen, ideas about composition of juggling routines, juggling as a high art form, how to practice, and some fun bits of communist propaganda and capitalism critique "thrown" in. Niels has also included a large number of photos of the author in action and other incredible acts mentioned in the text. I recommend this book for any enthusiast of juggling or circus history.

Such a great look inside the mind of a past master!

If You Are a Juggler... PDF
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If You Are a Juggler... PDF

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