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Snow White: A Graphic Novel, by Matt Phelan
PDF Download Snow White: A Graphic Novel, by Matt Phelan
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Review
Matt Phelan sets his graphic retelling of “Snow White” in 1920s New York, with both its Ziegfeld Follies glamour and its impoverished Dead End Kids.—The New York Times Book ReviewThe visuals are deeply effective: entire sections are wordless, propelling the reader through dramatic scenes and inviting reflection during quiet, contemplative spots...Pencil, ink, and watercolor illustrations break out of loose panel structuring; sharp lines and shadow heighten tension and expanses of open white space sometimes draw the eye to a specific scene. This graphic novel will find a welcome home with fairy-tale fans who have outgrown the Disney version (or, less likely, the Grimm version) but still find the tale compelling.—Bulletin of the Center for Children's Books (starred review)Phelan (Bluffton) delivers a spectacular 20th-century update of “Snow White,” transplanting the story to Jazz Age and Depression-era New York City, where themes of jealousy, beauty, and power find a comfortable home...Moody gray and sepia panels carry the story forward, punctuated by splashes of lurid red—for an animal heart, procured at a butcher’s shop, or an apple tainted with a syringe. Snow’s affectionate relationship with “the Seven,” a group of street children, is among this adaptation’s most potent elements. The boys are hesitant to tell Snow their names, but readers will want tissues on hand when they finally do.—Publishers Weekly (starred review)Spanning the Roaring Twenties and the Great Depression, Phelan’s noir-esque adaption of the classic fairy tale is atmospheric, clever, and touching...Especially resonant are the relationships that the heroine builds with her young protectors. The last few colorful pages will tug at heartstrings as Snow, the Seven, and an intrepid Detective Prince get their happy endings. A stunning, genre-bending graphic novel for all middle grade and middle school collections.—School Library Journal (starred review)Phelan masterfully shifts a tale heavily reliant on magic and fantasy into a realistic and historical setting without compromising plausibility. Creating sweeping and dreamy watercolors that play with emotion and color, Phelan is an exquisite visual storyteller, and he lets expressive, wordless sequences carry a large portion of his interpretation. With a keen historical slant, a bit of action and intrigue, high visual interest, and the fairy-tale leaning, this will awe a wide readership. Brilliant.—Kirkus Reviews (starred review)Pencil, ink, and watercolor images (in mostly sepia tones, with occasional spots of color: red for the poisoned apple, for example) move readers’ eyes across each page, providing an appropriately cinematic noir sensibility. This cinematic effect is further enhanced by the feel of constant movement, the varied panel sizes, and a judicious use of text. Some scenes are wordless; for others, Phelan uses varied fonts to enhance the drama. By the final wordless all- color sequence (spoiler: there is a happy ending), it is clear that this is an original and darkly beautiful take on the classic tale.—Horn BookIn a series of silent-movie-like vignettes, Phelan puts a Jazz Age spin on the classic tale of Snow White...Readers hungry for graphic adaptations of fairy tales will find their appetites slaked here.—BooklistI don’t think I’ve ever actually enjoyed the story of Snow White until now. Hand this book to graphic novel fans, fairytale fans, and any kid who’s keen on good triumphing over evil.—A Fuse #8 Production (blog)Fans of Snow White will enjoy this new take on the beloved tale—a graphic novel set in Depression-era New York...All of the illustrations are full of emotion, propelling the story forward quickly with minimal dialogue.—School Library ConnectionHow Phelan manages to tell this nail-biter of a story with so few words in comic-strip panels is a testimony to his great talent, and his murky pencil, ink and watercolor artwork elegantly captures the ominous mood. Dark, gorgeous and ultimately heartening.—Shelf Awareness for ReadersPhelan’s wonderfully expressive and realistic faces do most of the storytelling, and readers will linger on the dynamic structure of each page, as the artist’s characteristic soft edges contrast with interesting page layouts...Fans of Brian Selznik’s books will enjoy this one.—VOYAWith atmospheric, largely monochrome watercolors, Mr. Phelan reworks the old story with chilly elegance but also tenderness of heart:—The Wall Street JournalFilm noir and fairy tales each offer their own unique escapes into worlds that dramatize our fears and fantasies. In Snow White: A Graphic Novel, Phelan draws from the best parts of each form to create both a hardcover hideout and an artful homage to be read and revisited panel by panel, frame by frame.—Boing BoingNowhere is Phelan's combination of drawing prowess and storytelling ability more on display than in his 2016 graphic novel Snow White, which is sparing in its use of text, conveying most of the story solely through its artwork.—Drawing magazineFeatured/recommended in Holiday Gift Guide—Publishers Weekly
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About the Author
Matt Phelan is the author-illustrator of three previous graphic novels: the Scott O’Dell Award–winning The Storm in the Barn, Around the World, and Bluffton, which was nominated for three Will Eisner Comic Industry Awards, including Best Graphic Album. He is the author-illustrator of Druthers and the illustrator of many books for young readers, including Marilyn’s Monster by Michelle Knudsen and The Higher Power of Lucky by Susan Patron, winner of the Newbery Medal. Matt Phelan lives in Pennsylvania.
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Product details
Age Range: 10 - 14 years
Grade Level: 5 - 9
Paperback: 216 pages
Publisher: Candlewick (July 10, 2018)
Language: English
ISBN-10: 1536200557
ISBN-13: 978-1536200553
Product Dimensions:
6.2 x 0.6 x 7.8 inches
Shipping Weight: 13 ounces (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
33 customer reviews
Amazon Best Sellers Rank:
#222,611 in Books (See Top 100 in Books)
My name is Snow White, but my mother didn’t call me that to be funny.She would say that the snow covers everything and makes the entire world beautiful.###* tick * tick * tick * KILL###I love a good fairy tale retelling, and this one is truly unique. Set in 1920s New York City, Matt Phelan’s SNOW WHITE is a gritty comic book adaptation with a decidedly noir spin.Samantha White is just a child when her mother dies; the two are traipsing through a city landscape blanketed with snow when Mom doubles over coughing. On her kerchief are specks of blood. The year is 1918, and little Snow White is about to lose her mother to the “Spanish Flu.â€Fast-forward ten years. The widower Mr. White, a wealthy stockbroker, is instantly smitten with the newest It Girl, the star of Broadway, the Queen of Follies. They wed, Snow White is shipped off to boarding school, and the family somehow – magically – survives the stock market crash of 1929, which leaves so many of their peers destitute. Everything is okay-ish; that is, until our wicked stepmother receives ominous messages from her husband’s stock market ticker. Before long, Samantha’s father is dead and she’s on the run.From the glamour of Broadway to the shanties of Hooverville, Phelan makes excellent use of the setting. Much of the artwork is rendered in shades of black, white, and tan, accentuating the story’s gritty atmosphere and noir influence. Little pops of color, particularly red – the bright, spotty blood on Mom’s handkerchief; the blush on Snow’s cheeks; the drugged apple she accepts from an elderly sidewalk vendor – call attention to important panels and props. The artwork has a rough quality, much like the streets Snow wanders when she is cast out of her childhood home.Like the artwork, the dialogue is rather minimalist; yet if you are familiar with the story (and what American isn’t?), you should have no trouble following along. All of the various components – setting, plot, atmosphere, illustrations, and dialogue – work in harmony to deliver a Snow White that’s darker and more firmly rooted in reality than the original. The huntsman is a hired gun; the seven “dwarfs,†a group of homeless street kids. Yet there’s a touch of magical realism in the form of the Queen, linking this tale to its predecessors.I also love the cover, which isn’t sad and naked, but rather designed to match both the front and back of the dust jacket.Read it if: you fancy fairy tell retellings; you like the noir aesthetic; you’re a comic book fan, and want to try something a little different.** Full disclosure: I received a free copy of this book for review from the publisher, Candlewick. **
I was very excited for this novel. The setting was unique. But the art style let me down a bit. I was expecting something more inked that watercolored or ink washed. It was a little unsatisfying because the art style didn't match up very well with the cover, but I'm keeping it because I enjoy the uniqueness of the setting.
Re-write of Snow White in 1920s New York City setting. Interesting in that many parts of it are wordless. There is dialog, but it's surprising how little. Award-winning graphic novel being on the Notable Books of the English Language Arts 2017 and the Notable Social Studies Traade Books 2017.
This was a very different take on Snow White, and I thoroughly enjoyed it! The art style was amazing, and I read the whole book in a single sitting!
I really love this book. As a teacher it is great for the kids to see stories like this.
I am always on the lookout for a great graphic novel to add to my classroom library. SNOW WHITE, by Matt Phelan, will be a great addition. I love the fact that this fairy tale of a story is set in the depression era. It reminds me of the greed that drives our society and motivates people to do the unthinkable. Yet, good will always prevail. We can find the kind, true-hearted people everywhere, if we look hard enough. I cannot wait to share this story with my daughters and my class of fifth-graders.
I fell in love with this book, and may the gods of Caldecott honor it in January 2017!
Nice
Do you keep track of the different publishers and imprints of the books you read? I didn’t for the longest time, even when I started blogging – I thought that the good books would rise to the top, and I’d find them no matter what. Well, my feelings have changed a bit – I have imprints or publishers that I *know* will put out good books, or that I can trust for a certain kind of experience (arty, dreamy, plot-driven, and so on). When I figure this out, I end up paying a bit more attention to their catalogs, their tweets, and I’m more likely to put their books on hold at my library. I know from experience that Candlewick publishes thoughtful, beautiful books, so that’s how Matt Phelan’s graphic novel Snow White ended up on my to-read list. Well, that and I’ll read almost any fairy tale retelling under the sun. ¯\_(ツ)_/¯As you might expect from a book called Snow White, this graphic novel is a fairly faithful retelling of the popular fairy tale. The back story will be familiar: widowed father raises his daughter alone, then remarries – to a beautiful woman – who becomes increasingly jealous of the daughter. A “huntsman†is dispatched to kill the girl, but has a change of heart (punnnnnnnnnn). The daughter (Snow/Samantha), alone now, falls in with a group of seven little men (orphan boys), etc., etc. It’s all recognizable, and the ending is assured. So, why read this book?The art, of course! Matt Phelan’s past work is award-winning, and he is no less talented in this volume. The mix of watercolor and pencil/ink line work is subtle, dark, and atmospheric. It fits this 1930s, noir-ish iteration of the fairy tale very well. While there aren’t any true plot surprises, the enjoyment is in the subtle changes, differences, and the play of dark and light through the lens of Depression-era New York City. I also LOVED the Art Deco typset used on the front cover – actually the simplicity and design of the front cover may be my favorite thing about the book.From the story, I liked that there’s a hint of uncertainty about whether it’s actually magic that the stepmother uses, or solely allure. I also thought the use of the ticker tape instead of the mirror on the wall was a clever substitution. The evil queen reimagined as the star of the Ziegfeld Follies fit the time period, but the Follies and their context might not be familiar to readers in the intended age group. In some cases, that’s fine, because it will prompt research, but in this case it’s doubtful (tweaks to a familiar plot may trump interest in context).Things I didn’t like: this story is very light on dialogue. Since this story will be familiar to many readers already, not a fatal flaw, but in parts it simply feels quiet, rather than menacing (which I’m going to hazard a guess is the intent of some of the panels, but certainly not all).The second (and more substantial) criticism I had was from the point in the story where Snow White referred to opulent Christmas-time department store window displays as a demonstration of ‘the magic of the city.’ The beautiful ‘magic’ of the displays in itself was not a problem – in fact, that window dressing is famous (and now traditional) and rightfully so. My issue was Snow’s audience: homeless boys who must huddle around a trash can fire for warmth, and to whom she was not offering (or able to offer) and real change in their circumstance. This juxtaposition lacked nuance and verged on needlessly cruel. Snow entreated them to find magic and beauty in something they could not have and would not have (at that point of the story), while they were struggling for survival. Some readers may not notice this scene, or dismiss it given later developments in the story, but to me it struck a tone of privilege.In the end, Snow White is a beautifully illustrated, if not innovative, take on the popular fairy tale.Recommended for: die-hard fans of fairy tales, and those with an eye to beautiful graphic novel design and illustration.
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